A Passion for Purple

I must be growing old. . .

for I have developed a passion for purple. Which brings to mind the first verse of Jenny Joseph’s poem, Warning.

“When I grow old I shall wear purple
With a red hat which doesn’t go and doesn’t suit me,
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we’ve no money for butter.
I shall sit down on the pavement when I’m tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick the flowers in other people’s gardens. . .”

Yes on the brandy, no on the satin sandals and summer gloves (I don’t even wear garden gloves), and yes I have sat on curbs (though it’s harder to get up from them these days).

And yes, yes, yes, I have too picked flowers in other people’s gardens, though I am crafty about it so my reputation is still in tact (I think).

For the record, the hydrangeas pictured have prime pedigree, All Summer Beauty in the back, Nightingale on the left, and, well, the small reddish purple is a seedling from a cutting I took in New Castle Delaware from a red that was poking out of a wrought iron fence, begging to be rescued

Of course, it’s not me that is aging. It’s the garden, and, in the tradition of the above manifesto, I would like to see more purple in it.

So far, my summer purple garden consists of two daylilies, Louisiana Iris, Japanese iris and some of that wandery phlox that can go wherever it likes in my garden.

One of the daylilies is a dark and dramatic, impressively sturdy ‘Ed Murray.’ Don’t ask me who Ed Murray is, but he is doing well even though he has been moved three times and must be moved yet again because he was cheeky and grew three feet tall and is hiding the gazing globe he was supposed to color-echo, so now he will have to take second fiddle and go in the back. Or maybe I will move the gazing globe.

Daylily ‘Ed Murray’ with Clethra ‘Hummingbird’ edging into its territory

The other daylily is a tame, ‘Rosy Lavender’ (my nickname for it) that I have had for a long time and that always seemed frail to me, maybe because it was re-arranged inordinately through the years. It’s a real sweetheart by itself, but eclipsed by bright yellows, oranges and reds it becomes a wall flower.

Tidy rosy purple daylily grows only 18 inches high, though it stands proud

Perhaps ‘Ed Murray’ would make a good dance partner. This year a clump of ‘Rosy Lavender’ got itself engulfed by a jumbo joepyeweed, beloved by butterflies, so it gets away with felonious assault in my garden. I felt obligated to rescue it, which digging and scrabbling will set it back a good year or two. I am not sure if “rosy lavender” counts as purple.

Joepyeweed was especially exuberant this year, crowding neighbors, because we had so much rain, 15 inches in the month of June alone. Now it is wilting on hot summer days

The other true purple in my garden is a stand-out Louisiana iris ‘Black Gamecock.’ In our soggy soil this one grows and spreads and blooms and grows and spreads and blooms in good sun, or not such god sun.

Louisiana iris ‘Black Gamecock’ is a reliable bloomer in our garden

Our Japanese iris like the same conditions and when they bloomed this year I discovered they have been busy hybridizing themselves. They are blue trending toward violet, white edged in violet, and a nice reddish violet, but I’m not sure if any of these count for purple.

I think there is some multiplying going on  here. I don’t especially remember all these rosy blooms from last year

It’s probably a certain nostalgia that’s pulling me to purple – memories of lush bouquets, perky nosegays and heavenly scents that I recall from years long past. Sadly, the three purple flowers I would like most to have in my garden are those that I can’t grow for one reason or another: heliotrope, pansies, and lilacs.

Perhaps it is more than nostalgia. Perhaps it is my affinity to the cluttery romance of things and colors Victorian. These three flowers happen to have long histories of whispering to Victorian lovers.

And what, exactly, is this “whispering of flowers?” Victorian techies called it Floriography. An offering of special flowers was often the only way to express the murmurings of the heart. (A blessing, perhaps, to an ardent but tongue-tied suitor?)

A modern “tussie mussie” by Debbie Del Rosario-Weiss

Indeed, initially, most ardent suitors dared not express their ardor verbally. Instead, they could present their adored with a “tussie mussie,”  a froth of lace enfolding herbs and blooms that spoke the message of love most discreetly. (We can’t help wondering today how many tussie mussies were cherished — or hastily discarded.)

To organize (or complicate) this flower-whispering business, a thriving market for dictionaries that could interpret the lore behind flowers grew up. They were regularly thumbed and definitions faithfully committed to memory. Donor and recipient alike could consult them to decipher the delicacy of a message.

Pierre Redoute’s illustrations are today considered masterpieces of botanical art

As one modern writer points out, though, there could be flaws in the delivery. Dictionaries differed in their definitions. Imagine a melodrama of crossed signals caused by a dictionary! leaving lovers star-crossed forever.

Not with my three, though. Their blossoms consistently express love and devotion – and passion, even faded passion. But their back-stories are quite distinct.

Heavenly heliotrope, yes, heavenly if you have ever savored its fragrance: vanilla and sugar and caramel and cherry pie in one long intoxicating whiff. It is difficult to find in nurseries, so long ago I tried it from seed. Initially, success was spectacular, which pleased me no end, as seeds and I usually have an uneasy relationship. Unfortunately, the plants faded in our hot humid weather and tropical summer nights.

Luscious heliotrope. Alamy stock photo, since I don’t grow it!

Disappointment was instantly rationalized. Heliotrope is a sun-loving annual that aphids, slugs and snails seem to love as much as humans. Just think, if it had prospered, I would have to be ever on the alert for varmints, remembering to cut back old stems to promote bloom and fertilize to keep the plants looking sharp. All this under a hot summer sun when I could be reading a book in a cool house.

Close-up of single heliotrope blooms, photographer unknown

But I do fancy the myth behind the flower that tells of Clytie, a water nymph who fell deeply in love with Helios, the Greek sun god, who, alas, had a wandering eye. Forsaken by her lover, in a purple funk, Clytie died of a broken heart.

Helios, out of pity, reincarnated her as heliotrope, the flower that devotedly turns her head to follow the path of her lover in the sun every day. (This all happened before the days of emancipated women.) More prosaically, this response is known as tropism.

Well, I will grow pansies, instead. You ask, who cannot grow pansies? I answer, Me! Rabbits here give them no quarter. They operate on a simple intuitive timetable of let it grow eat it let it grow eat it ad infinitum.

I could haul out the sprayer and spritz Liquid Fence on them (the pansies) on a less intuitive timetable (which I do for daylilies), but that seems a lot of trouble for a dozen plants purchased from an ag program in our local high school. I substituted blue forgetmenots that reseed freely and evoke the untamed look of an OK corral, but oh that blue-sky blue.

A lovely photo of a violet from my friend, Joan, in colors that would suggest “let’s take a chance”

The French word, pensee, meaning “thought,” is the root of the word pansy. Ironically, it was the staid old Victorians, and not the oolala French, who incorporated the idea of “amour” into the word/flower. A bouquet of white pansies edged in purple would suggest “let’s take a chance.” A bouquet of purple pansies, well. . .

This dramatic painting by Fantin-Latour of pansies in clay pots that were popular in the 19th century has captured my heart!

In A Midsummer Night’s Dream Shakespeare marries the pansy to affection in the twice-told tale of Cupid piercing a pure white pansy with his arrow and turning its center deep purple. Heart-shaped petals give credence to the pansy’s playful alternative names: love-in-idleness, kiss-her-in-the-buttery, and heartsease.

Oh, those bowers of lilacs in New England! Wouldn’t they do even better in the South, with its benign winters! Years ago, nurseries touted lilacs for our area, most of them purchased, I suspect, by gullible northern transplants like me. I never grew a happy lilac, nor did I ever see a happy lilac in a garden around here. I know that there are many varieties that will withstand a southern climate, but they must flourish elsewhere. If I can’t grow bowers of lilacs, I sulked, I wouldn’t grow any at all.

Photo from Pinterest

Paradoxically, lilacs can symbolize renewal and first love, or love lost. To Victorians, a gift of lilacs night be a reminder of an old love; widows might wear lilacs close to the heart.

There is a vein of sadness associated with the lilac. Poet Walt Whitman, uses the lilac in his timeless elegy to Abraham Lincoln, “When Lilacs Last in the Door-yard Bloom’d”, conferring on their early bloom the symbol of life after death.

Lilacs in a Window, Mary Cassatt 1883

Think of ancient Greece when you use the lilac’s botanical name, Syringa vulgaris. Syringa, another of those nymphs that always seemed to be the center of love-troubles in Greek legends, had innocently beguiled Pan, the god of forest and field. To avoid his advances, she turned herself into a lilac shrub (One of the more extreme #metoo responses). Pan consoled himself by cutting reeds from Syringa’s hollow branches, ouch! and creating the first pan pipe. The Greek word “syrinks” means pipe.

Lilacs, by Claude Monet

Persons of a certain age (nobody known to the writer, of course) might be interested in certain other characteristics shared by these three plants with purple blooms.

Pansies are edible, full of nutrition, anti-inflammatory and mildly sedative. They are supposed to break down tumors, relieve headaches and dizziness, and clear upper respiratory infections.

Tinctures made from heliotrope are said to cure infections, cleanse the blood, fight fatigue, and clear congested lymphatic systems. Its essential oils are used in perfumes and lotions.

And lilacs can be used to treat skin problems, combat infections, prevent indigestion, reduce fevers, fight depression and relax the spirit.

Just think, with pansies, heliotrope and lilacs in your pantry, a body could shed meds, ditch docs, and live wild and free on salads and aromatherapy. And smell good, too. Now, that’s about as fine as wearing purple with a red hat.

Some other purple, or nearly purple, blooms in my garden

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Postscript

The sweet but realistic artwork and lighthearted verse featuring flower fairies by Cicely Mary Barker, published during the early twentieth century, deserves mention. She painted from models in her sister’s kindergarten class who were dressed in costumes she created to resemble the flowers.

Song of the Heliotrope Fairy

Heliotrope’s my name; and why
People call me “Cherry Pie”,
That I really do not know;
But perhaps they call me so,
’Cause I give them such a treat,
Just like something nice to eat.
For my scent—O come and smell it!

How can words describe or tell it?
And my buds and flowers, see,
Soft and rich and velvety—
Deepest purple first, that fades
To the palest lilac shades.
Well-beloved, I know, am I—
Heliotrope, or Cherry Pie!

 

The Song of the Pansy Fairy

Pansy and Petunia,
Periwinkle, Pink—
How to choose the best of them,
Leaving out the rest of them,
That is hard, I think.

Poppy with its pepper-pots,
Polyanthus, Pea—
Though I wouldn’t slight the rest,

Isn’t Pansy quite the best,
Quite the best for P?

Black and brown and velvety,
Purple, yellow, red;
Loved by people big and small,
All who plant and dig at all
In a garden bed.

The Song of the Lilac Fairy

White May is flowering,
Red May beside;
Laburnum is showering
Gold far and wide;

But I sing of Lilac,
The dearly-loved Lilac,
Lilac, in Maytime
A joy and a pride!

I love her so much
That I never can tell
If she’s sweeter to look at,
Or sweeter to smell.

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Posted in Heliotrope, Lilacs, Pansies, Purple in the Garden, Uncategorized, Victorian Florals | Tagged , , , | 2 Comments

One Gardener’s Irreverent Take on Time-Honored Garden Art

Behind the Scenes of 19th Century Masterpieces

Some background first.

Public Parks, Private Gardens – Paris to Provence opened at the Metropolitan Museum of Art in New York City in March and will run to the end of July.

Theodore Rousseau. The Edge of the Woods. . . Fontainebleau Forest, 1854. Toward a more natural landscape

It is stunning. It’s a slice of horticultural history told with landscapes, portraits, still lifes, cartoons, maps, samples of tools, and artifacts. It’s worth viewing several times.

The 19th century was an exciting time for people who loved plants. An unstoppable green revolution was rolling through the land.

The artifice of formal gardens was giving way to inviting, natural landscapes with soft edges.

Botanical specimens were arriving regularly from exotic ports. Nurserymen were propagating and hybridizing garden staples for sale to the bourgeoisie who were cultivating flower gardens.

Edouard Manet. Music in the Tuileries Gardens, 1862

Property once owned by the Royals became destinations for recreation and rendezvous. Boulevards grew leafy glades, and new parks promised leisurely Sunday afternoon walks for a work-weary city population.

A French journalist in 1860 summed it up. “One of the pronounced characteristics of our Parisian society is that . . . everyone in the middle class wants to have his little house with trees, roses, and dahlias, his big or little garden, his rural piece of the good life.”

Henri Fantin-Latour. Summer Flowers, 1880. The flowers are from his garden

At the same time, artists were drawing inspiration from the natural world. Some became gardeners, and they celebrated their gardens in their paintings.

Others immersed themselves in the natural world, capturing on canvas light and color in new ways.

It is easy to be charmed by these idyllic tableaux. But I couldn’t help thinking that we’re not seeing the entire picture, that there might be more behind the scenes.

As a gardener who regularly mucks in the mud and swats at mosquitos, I have a slightly different perspective on some these masterpieces.

Here is my own humble interpretation.

Albert Bartholome. The Artist’s Wife Reading, 1883

Tomorrow I’ll weed.

Claude Monet. Le Dejeuner sur l’herbe, 1865

What? No ants?

Honore Daumier, Cartoon, Lithograph, 1845

Caption translated: “I thought it would be more fun than this to water flowers during a heat wave.”

Claude Monet. Women in the Garden, 1867

Didn’t ANYONE tell her about chiggers and ticks?

Alfred Stevens. The Glass Ball, 1875 (oil on canvas)

No, that’s not poison ivy on your nose.

Claude Monet. The Path through the Irises, 1917

Got a little out of hand, did it? I know the feeling.

Gustave Caillebotte. The Parc Monceau, 1867

Can I get the name of the gardener who edged these paths? I have a friend. . .

Edouard Manet. Monet Family in their Garden at Argenteuil, 1874

But Mom, I’m so-o bored. Can’t I go play?

Hippolyte Bayard. In the Garden, 1842

How neat. Come to my potting area some time for the real deal.

Paul Cezanne. Madame Cezanne in the Conservatory, 1891

Do you think anyone will notice I didn’t do my nails?

Mary Cassatt. Lydia Crocheting in the Garden at Marly, 1880L

Lydia intends to get neither a sunburn nor a single bug bite.

Edgar Degas. Woman Seated beside a Vase of Flowers, 1865

Now where can I find space out there for more flower beds?

Marie-Francois Firman-Girard. The Flower Market, 1875

Forerunner of our plant sales?

Honore Daumier. Lithograph, Cartoon, 1850

Caption translated: “No matter what one says, old things are always beautiful.”
“Yes, my dear, but only in marble.”

Odilon Redon. Madame Arthur Fontaine, 1901

I don’t sweat when I embroider.

 

Posted in Garden Humor, Gardens in Paris, impressionism garden masterpieces | Tagged , | 3 Comments

Clara Driscoll and the Tiffany Girls

The Whodunnit Behind Tiffany’s Flowers Lit Up in Glass

We were supposed to be exploring pocket gardens and parks in lower Manhattan, but it was one of those bleak rainy days that turns a three-mile, 15-minute cab ride into a one-hour ordeal. So we settled on an activity that, it turns out, would brighten our day and lift up our spirits: a look at Tiffany lamps at the New York Historical Society and Museum on 77th Street and Central Park West.

We headed to the fourth floor and into a luminous blue gallery the size of a city block, where A New Light on Tiffany: Clara Driscoll and the Tiffany Girls permanent exhibit is staged.

A glowing dragonfly lampshade amid a kaleidoscope of color

Kaleidoscopic images of light and color ricocheted around us. Our own images receded, like auras, into the semi-darkness. We became lost in a cerulean eye, surrounded by glowing florals in glass: the lovely, familiar wisteria, daffodils, poppies, peonies.

Endless color and reflection

Czech architect Eva Jiřičná designed the surreal gallery with its floating, illuminated staircase and shadowy alcoves. Here, against a dramatic backdrop, a hundred Tiffany lamps are showcased, most of them donated by a single collector, Dr. Egon Neustadt, an early admirer of Tiffany.

Innovative lighted staircase bounces reflections around

Tiffany, 1908

Louis Comfort Tiffany.  Larger than Life. . .

Artistic Genius. . .

Grand Designer and Craftsman. . .

Bold Thinker. . . Imaginative Force. . .

Ambitious. . . Canny Competitor. . .

World’s Fair Chapel and Bapistry

His magnificent Chapel at the Chicago World’s Fair in 1893, with its complex stained glass renderings and innovative design, would set him on course to the fame he coveted.

Tiffany designed the dramatic field-of- lilies windows, but who actually  executed them? Aside: The shape of the baptismal font  may have been the inspiration for future Tiffany lampshades.

(Today, the reconstructed Chapel with its original glasswork can be visited at the Charles Hosman Morse Museum of American Art in Winter Park, Florida.)

But who was Clara Driscoll working in the shadow of this Titan? And who were the Tiffany Girls?

Here they are in 1904, on the rooftop of  Tiffany Studios, Clara standing, far left.  Charles Hosman Morse Museum of American Art

Clara is barely mentioned in scant records that remain of Tiffany Studios. Her name appears on only one piece, a dragonfly lamp, for which she won a bronze medal at the 1900 World’s Fair in France.

Created in a variety of color themes, the dragonfly lamp was a popular item. Note how Susan fades into the background, barely three feet away

Public recognition was fleeting. Tiffany did not credit staff for contributions to his masterpieces. His employees, including Clara and the Tiffany Girls, worked in anonymity.

Clara was born mid-century (1861), and in the manner of her Victorian contemporaries, she wrote countless letters, round robin letters to her mother and sisters.

Possible yearbook photo from high school or art institute

Like email or Facebook entries today, each person added her news and kept the chain going and, happily, they saved the letters!

Through Clara’s eyes we see a detailed picture of work at Tiffany Studios and life in New York City at the turn of the century.

Vividly she describes her daily activities, her interactions with staff, the genesis of her ideas, the complexity of her designs.

Her ideas! Her designs!

Yes! Her letters confirm that she worked closely with Tiffany, that they shared a love of rendering the natural world in glass. They also reflect her deep love for the colors, shapes, forms, the romance of working with leaded glass.

Peonies, attributed to Clara Driscoll

From the letters we learn that Clara was the guiding force behind Tiffany’s leaded glass lampshades.

Today, fiberglas replaces the wood. Century Studios

She proposed the original idea. She designed these stylized gardens.  She chose the glass. She guided the Tiffany Girls during production, training them, pulling out of them latent creativity.

And she solved the problems.

As for solving problems, it was no small feat to adapt techniques used on flat panels to the curved surfaces of a lampshade.

Developed through trial and error, turned wood lamp forms were created and patterns etched into them. A thin layer of wax bonded glass pieces to the forms during work on the design. After soldering the wax would be warmed and the form would release from the shade.

Another favorite theme: daffodils

At one time, Clara’s staff numbered 35 women, self-styled Tiffany Girls, who were on the front lines of creating magic out of sheets of opalescent glass – as many as five thousand different colors and varieties to choose from — that were poured and stored at Tiffany’s furnaces in Corona, Queens.

The cartoon wrapped around a form. Century Studios

The women were responsible for developing “cartoons” (working drawings from watercolor renderings, often done by Tiffany) that would determine size and shape and pattern and placement of glass tiles.

Then would come the selection of glass to bring the design to light. The women would cut the glass with a steel or diamond cutting wheel and, if necessary, refine shapes with grozing pliers and other tools.

To prepare the panel for soldering, they would assemble the entire piece temporarily on the pattern and inspect it for flaws. Finally, they would wrap the edge of each piece of glass in a thin strip of copper foil cut from sheets of copper to which they had applied a thin layer of adhesive.

There are 2000 pieces of glass in the wisteria lampshade. There are 10,000 pieces in the World’s Fair panels.

Two versions of the wisteria leaded glass lamp. Note that the bronze base is molded to look like roots.  Much thought was given to designing bases that complemented lampshades

Execution had to be precise, each glass piece cut exactly to pattern and placed precisely on the master. Irregularities in shape or size of tiles would compromise solder seams and joints and diminish over-all quality. Once a product was approved, the Men’s Department would solder the glass in place with a lead/tin mix on both sides of the shade.  After cleaning, a patina to match the base of the lamp would be applied to the solder lines.

In Clara’s studio, with Joseph Briggs, Tiffany’s head workman, conferring on the design of desk and boudoir accessories of glass, bronze, and mosaic. 1901 photograph from Metropolitan Museum of Art

Clara observed in a 1904 interview: “Indeed, this is rather difficult work, but when one has a fondness for a certain brand of industry, she does not pause when a difficulty must be overcome.…The work is a new departure for women, and I believe that they like it.”

From the master, Louis Comfort Tiffany, “Infinite endless labor makes the masterpiece.”

Perfection indeed!

Clara came to her position at Tiffany’s with a clear aptitude for the future that she would find so rewarding. She and her three bright, ambitious sisters grew up in Tallmadge, Ohio, reared by well educated parents who  encouraged Clara to develop her talents.

A dear friendship with an Ohio naturalist, Harriet Louise Keeler, no doubt stimulated Clara’s love of the natural world that became integral to her work. After high school, she attended what is now the Cleveland Institute of Art and did design work for a furniture company.

Clara’s poppy lamp shade is an example of her ability to transfer her knowledge of the natural world into stylized artistry

By the time she came to New York to study at the Metropolitan Museum of Art School and then join Tiffany Studios in 1889, her background in art and natural history was deep and, at age 27, she was a mature and independent woman.

Until 2005 her story was buried in archives at the Queens Historical Society and Kent State University’s Special Collections.

Peacock feathers

Then, three tireless curators-turned-sleuths, Martin Eidelberg, Nina Gray, and Margaret Hofer stumbled upon the correspondence and realized they were holding keys to a rewrite of Tiffany history that would give long overdue credit to the creativity of Clara and the Tiffany Girls.

Their 2007 exhibit brought Clara out of the shadows. The 2017 dramatic recreation of the earlier exhibit shines a bright light.

Stylized peonies with an Oriental flair

Clara didn’t break any glass ceilings. Her achievements were not publicly recognized.

For her boundless creativity, for her complex bookkeeping responsibilities, and for her administration of monumental commissions for public buildings, she was paid $35 a week, commensurate with salaries paid to the men at Tiffany’s who had limited ranges of responsibility.

After a career of almost two decades, Clara married. She resigned from her position because Tiffany did not hire married women as a matter of policy.

“Flowers lit up in glass,” a quote from a Tiffany Girl

So it was with special enthusiasm that we viewed this exhibition, as much about jeweled flowers as about bringing to light the story of a strong and creative woman. This dramatic permanent display gives Clara the credit she earned over a century ago.

If you want to read more about Clara Driscoll, Susan Vreeland’s novel, Clara and Mr.Tiffany is a fine blend of fact and fiction. Based on Clara’s letters and other research, it tells Clara’s story against the backdrop of life in New York City at the turn of the century.

The slide show below features lamps from the exhibition. See if you can spot the copycat in the group.

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Mending Winter’s Mischief

Chicken Soup for the Garden(er?)

(All photos in the text are of Camellia sasanqua ‘Yuletide,’ a very large, 20-year-old shrub that has bloomed prolifically and dependably but is now in a precarious battle for survival.) 

Weather! Weather! Weather! We complain.  Plants thrive.

Will this rainy weather breathe life into moribund plants?

From what we’ve seen, azaleas, pittosporum, camellias, oleander, gardenias, some crepe myrtles and weak trees seem to be the biggest losers this winter, though our craggy, battered old oak is looking better than ever. Most of these plants in our zone 8A are living on the edge of their comfort zones. Usually happy, they were whammied this winter.

Do we have a plan of action? Not now. Eventually we will work one out for each sick plant. This gives us time to adjust to losses and figure out strategies. While there is a plant in the ground, there is hope.

So, for the moment, we are watching and waiting. This is what I tell gardeners when they ask, and they rather like this advice. It requires little immediate work, and it postpones making decisions.

How patient should we be? We’ll wait till fall, the season of renewal, when marginal plants might come to life. Depending on how a plant looks (a deadnik next to the front door may need to be chopped out to restore a gardener’s spirits) we may postpone action until early next spring. We are gardeners in the South, not stock brokers in the City, so we don’t rush.

Trees and shrubs carry a lot more baggage than seeds. If seeds from plants in my garden can sprout after lying dormant for years, surely I can give some slack to shrubs that have performed well. It’s an apples to oranges comparison, I know, but it suits my fancy now. And Mother Nature does have a quirky sort of patience.

Near perfect growing weather this spring, rain, sun and moderate temperature, is creating quite a jungle. But cool soil the past few weeks may slow revival of a weak plant.

Soil temperature must be in balance with air temperature for proper growth to occur. Roots in cold soil are still sleepy. They can’t keep up with the needs of top growth on a warm day. That is why you sometimes see plants wilting on a pleasant day in spring after a cool rain the previous night has put a sparkle in the garden. Sluggish roots in cool soil are slow to hear SOS put out by tops that are jazzed for growing. We see this most often in tender new growth.

But healthy shrubs have leafed out by now, and with what exuberance! So we can begin looking for life.

In particular, we’ve seen bright new azalea leaves topping old brown ones, making for showy plants, and some leafless azaleas actually put out bloom despite their nakedness. I am hoping they are not putting best foot forward now only to fall on face in hot summer.

Right now we are using the bend-and-snap test to determine life in masses of dead pittosporum branches. If a twig snaps when it’s bent, oh well, it was probably dead. If it doesn’t seem to mind being bent, we leave it for a later try.

Pittosporum will be a challenge to shape when it finally comes around. There’s new growth on tips of skeletonized branches and tiny leaves coming out of heavy old wood. What to prune out? What to leave? This new growth popping out from heavy wood is slow and easy to miss, but like the tortoise, it usually wins the race. Epicormic budding, this is called. Dormant buds beneath the bark become active in times of stress. It’s another strategy for survival.

Gardenias and oleander still look like a patchwork of green and brown: life at their bases, maybe some along branches, and some on tips of twigs. More decisions and more pruning challenges. Shocked crepe myrtles are growing at their bases, or, happily, they have come through like champs and sport the shiniest, healthiest leaves I’ve seen in a decade.

As for camellias, I am a faithful bud-checker. This is an exciting garden pastime, though not necessarily one that would perk up lagging conversation at a cocktail party. I check plants for growth buds from August on, even earlier, as I walk the garden to see how plants are preparing for next year. These buds will stay tightly wrapped until they flush out next spring. Leaf buds are slender, flower buds are round, though on other types of plants, buds can neatly package both.

New leaf buds should be smooth and shiny and firm. On stricken plants, buds formed last year are dried up or gone, leaving stubs at the ends of branches. I have found what appear to be new leaf buds, but they are small and sickly and they drop off when I touch them. If leaves emerge from these buds, they are stunted. Kinda dashes your hopes when you cheer a live one and it turns out to be a dud. But even when tops die off, camellias can come back from the base.

Scraping the bark to see if a plant is still alive is OCD behavior for me in February, though I haven’t killed a plant that way yet. This spring, it has not been a reliable test. Inner bark and fresh-cut ends of twigs may show a hopeful green, but a later check will show no color as the plant continues dying back. More dashed hopes.

Still, all this rain seems to be apologizing for the cold winter. It’s giving plants the best chance they could want. We soldier on with our TLC.

We give plants handsful of compost, but little if any fertilizer (too rich for a sick plant).

We scatter a mixture of dry leaves and pine needles that have fallen since last fall, a light mulch now that soil is finally warming. (Crumbling leaves will compost, and tough pine needles will give cover during hot days.)

We’ll stand hose-in-hand lavishing drinks of water on rickety plants during dry spells, until run-off tells us to stop, give time for the water to soak in, then give another drink.

Chicken soup for the garden. Chicken soup for the gardener’s spirits.

The Parade of Bloom in May, particularly Japanese, native swamp, Siberian and Louisiana iris, poppies,  deutzia, spirea, native wisteria ‘Amethyst Falls’ and Missouri sunflower are good for the spirits, too. Herewith some pink Knockout roses and a slide show of happy pictures.

A real delight this year

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The Winter of Three Degrees Part III

Guerillas in the Garden, or

Try not to Throw the Baby out with the Bath Water

Let me tell you what did staggeringly well over the winter. Lesser celandine! If you have read my post of March 2012, The Weed that can Snare a Gardener, written when I was a less-than-wise gardener (which is not to imply that the situation is much improved today), you are already familiar with my love-hate relationship with this plant.

Who could resist these sunny faces?

First I couldn’t get enough of it. Carefully I tended each bright shiny plant. And when I was blessed with bounty, I shared. How I shared. Other gardeners were equally dazzled, so I gave it away freely, even sold some at our plant sales. My ego soared. My star was rising among gardening friends.

Then I learned all the bitter truths about this kissin’ cousin of the buttercup.

It’s an impostor. A doppelganger for marsh marigold, Caltha palustris, a lovely native, not particularly coveted because of where it lives. (Sigh, if only my identification had been more objective before I fell in love with this dastardly counterfeit.)

You would need hip boots to get to this marsh marigold. Come to think of it, parts of our property might qualify as its habitat

Egg on my face, betrayal, but I managed to survive that bitter truth, until. . .

I discovered the next bitter truth. Only after I was totally hooked, did these bright rosettes with their knock-your-socks off blooms take full advantage. They bounced around our garden like slinky toys embedded in boomerangs. Surprise! Bet you didn’t expect us over here…and here…and here! Oh, and over there, too!

And then the third, the cruelest indignity of all, the one that feeds heady hope, then brings utter despair. The plants fade some time in May. They are gone, all of them.

You feel triumphant, light as air. Your garden is freed from the yoke of these invaders. You don’t give them another thought. Then, next spring, your psyche is dashed by a sea of psychedelic yellow.

And to think I actually cultivated lesser celandine along this path

My daughter and I learned these bitter truths years ago after we spent one spring day on our knees, three-pronged cultivators in hand, pulling up plants and feeling very proud of our “finished” work.

At the time, we didn’t quite understand the way these guerillas operate. Their blossoms are the vanguard, spilling seeds here there and yon if you do not run the extra mile (around the garden) cutting off new flowers daily.

What a bother! Better off spending time hunting up an army of schoolkids to collect bouquets and hope they don’t get tired, thirsty, bored, cranky, hungry before the job is done.

Formidable tools for survival

Major warfare, we soon learned, takes place unseen, in the trenches, where masses of roots with apparently innocuous bulblets, maybe only one, maybe a hundred (slight exaggeration) to a plant, stand at attention, ready to break away and go into hiding if attacked.

One bulblet, or even a part of one, accidentally removed from the original plant, will create a new plant. I repeat, one bulblet, or even part of one, will create a new plant.

So the Defender (that’s me, in case you hadn’t guessed) must dig with finesse. One would assume that your usually-adequate-for-small-plants handy-dandy trowel would qualify as the proper tool if finesse is required.

Not so. A full-fledged shovel must be plunged deeply (little finesse here) into the soil while carefully cutting around the plant and lifting the clump to remove the invaders, or maybe not, if you didn’t aim quite right.

In which case, the troops might be scattered, reburied, or cut in two, which will, of course, bring on the slinky effect. Complicating matters, bulblets sometimes grow among heavy roots that are impenetrable fortifications against mere shovels.

In that case, you should probably consider dynamiting the garden or incorporating celandine into your garden plans for the rest of your life.

Bulblets from two plantsfound in a one-gallon pot. Scattered bulblets fell away during handling

And another thing, don’t even think about salvaging that precious, composty soil you’ve been building for years. Shaking soil off a shovelful of roots guarantees another dozen plants next year. Into pickle-pail purgatory and on to landfil-oblivion they must go.

Interesting Trivia: Many years ago, the oystermen in Great South Bay, Long Island, were fed up with starfish prying open the oysters and helping themselves to the crop. To get rid of the starfish and, I suppose, vent their frustration at the same time, they engaged in a great effort to catch hundreds, maybe thousands, of starfish.

Methodically, with supreme satisfaction, they chopped the starfish up and threw them back into the Bay. Surprise! You can guess the rest of the story. Celandine has a lot in common with starfish.

If you doubt that this is guerilla warfare, take a look at the names of killer chemicals that one can use against this invader — if one is a gambler and willing to go bankrupt on such purchases, none of which have iron-clad guarantees.

Doff Knockdown Weedkiller
Scotts Tumbleweed
Scotts Fast Action Roundup Ready-to-Use
Bayer Glyphosate Ready-to-Use Kills Weeds & Roots
Roundup Gel Ready-to-Use
Resolva Lawn Weedkiller
Weedol Lawn Weedkiller
Bayer Lawn Weedkiller

We have read that a thick layer of mulch can discourage celandine, but I wonder, then, if pine voles would be tempted to tunnel in friable compost and become yet another guerilla force in the garden. I doubt that celandine bulblets would ever become a delicacy for voles when tulips and crocuses are on the menu.

Here’s a gang ready to march on an ‘Annabelle’ hydrangea just sprouting after winter

If celandine plants would stick to empty spots in a flower bed, we could tolerate them, but instead, they circle prized shrubs and home in until they establish a chokehold.

Rescuing such a plant, we soon learned, is tantamount to throwing the baby out with the bath water. We did just that this spring.

We decided to dig up a celandine-choked hydrangea that was failing, a favorite red that had grown and prospered from a cutting volunteered by a willing plant in New Castle, Delaware, where my sister, conveniently, was carrying a large purse in which to stash the prize. Quite cleverly, we named the acquisition New Castle Red.

It looked better before we dug it up. Note that most of the green is from celandine

Our plan was to separate hydrangea from celandine, rout the guerillas and restore the plant to its happy home in, say a couple of hours tops.

It didn’t work quite that way. To begin with, by the time we dug the plant out, we realized we were mucking in wet, heavy clay, the kind of clay that fails drainage tests, badly, but which, oddly, our hydrangeas seem to like.

By the way, anyone with a spare shovel and a yen for a sprained back can perform these high-tech drainage tests. You dig a hole (that’s the high-tech part), fill it with water, let the hole drain, then refill it and track the time until the hole is empty again.

We didn’t plan on running such a test, but we had a ready-made hole that was now filled with rain from a sudden storm, so we welcomed going off on this tangent. Watching water drain can be one of the more exciting  activities in a garden. Less strenuous, too.

In this case, watching a clock would have been far more exciting. The water level never dropped. We decided to go back to rescuing the hydrangea.

Bob takes hatchet in hand

We soon learned that it is difficult to work delicately when your hands are muddy and the dug-up plant is slippery and weighs a ton and you are fighting with a guerilla that has woven itself among roots.

To “save” the hydrangea we had to cut it apart. With a hatchet.

Casualties  in the wheelbarrow,  water for separating guerillas from keepers, and the final hydrangea tally in a two-gallon pot

We’ve divided hydrangeas before, but usually we are in command. By the time we finished “saving” this hydrangea, we wound up with 13 sticks, each with some semblance of leaves and roots. I heeled them into a cuttings bed (early spring, soil still cold for this work, I know) and last I looked, they were all showing some semblance of shuffling off.

The Casualties

We happened to have a “sister” to this hydrangea in the wings, so we stirred a goop of compost, mushroom dirt and clay clods into the still-rain-filled hole and popped her in with a little moat surrounding her (to promote drainage, I can hear you laughing already).

Holding her own in the muck. The former hydrangea was able to keep the hosta at bay but not the celandine

We had to “persuade” her not to float by adding more clods, especially after the next two-incher left standing water in the moat.

So ends the celandine cliff-hanger for this year. Will the new hydrangea evade the guerillas next year? Will any of the old hydrangea survive? Stay tuned for the next installment of this thrill-a-minute saga of death-defying warfare waged by Guerillas in the Garden. PG-13

For now, let’s move on to brighter news: luscious blooms and lush growth spurred by rainy days and cool weather this spring and workaholic compost that keeps feeding our soil like that certain bunny that never quits. Despite losses, it’s been the best spring ever.

This bawdy combo of ‘Fashion’ azalea and clematis ‘Dr. Ruppel’ never fails to entertain us each spring

Pictured in the slide show below are atamasco lily, clematis, spirea ‘Ogon’, and native honeysuckle, lady banks rose, sinocalycanthus ‘Hartlage Wine’ and kerria, red buckeye, fringe tree, deutzia ‘Chardonnay Pearls, sweet william,  limbed-up doublefile viburnum (v. plicatum tomentosum), a sea of forgetmenots, and columbines that give sparkle to a challenged oleander.

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The Winter of Three Degrees Part II of III

Raiders of the Winter Garden

Yup, that’s what they are. Come out in the cold to sample Green Plate Specials and hunker down for the winter as if they owned the place. Ah, those plants with tender leaves, hors d’oeuvres with a tang served up by Kurume and Gumpo azaleas, delicacies prized by these raiders of the garden.

The plants looked spikey even before the first flake of snow: Gawky, leafless sticks, especially if they were growing along the routes of the raiders. Negative focal points in the garden. (Can you have negative focal points in a garden? We did!)

A spikey azalea beginning to recover

The damage was considerable. In fact, it was so considerable that I took pictures, which now seem to be missing, probably because a plant that has been eaten tends to become invisible, which tends to hamper positive identification. So, take it on trust, there were a lot of photos that simply showed tangle.

On the bright side, these same plants were spared the misery of a long cold winter.

This Gumpo went brown in March. We held our breaths, as did everyone in our area as azaleas browned out

Spoiler alert: As of this writing, only one plant that we know of was totally lost to browsing.

Still, chewing damage was so pervasive I assumed initially that it came from deer. But the diagonal cuts on branches were clean, missing the ragged, torn edges indicative of deer browse. Maybe deer and rabbits had negotiated a temporary treaty and deer went elsewhere for tender kibbles.

Now I can understand why Farmer MacGregor had a certain hostility to these cute, furry creatures

Tall rabbits were the how and why of these Phyllis Diller plants. Not that they (the rabbits) are genetically tall. They simply stretch themselves skinny as a dime so they can reach to unsurpassed heights, even to the tops of, say, deutzia gracilis.

Yes, rabbits like deutzia, especially tender new transplants still naïve about the ways of rabbit raiders. But I wonder why these rabbits were still stretching for deutzia and azaleas, when concessions of just-out hosta were offering grab-and-go meals almost everywhere in the garden. (Maybe a need for more fiber in the diet? Is there a fiber RDA for rabbits?)

This young deutzia ‘Chardonnay Pearls’ once eaten down by rabbits, was spared this year. They preferred the older shrub that only  laughed the rabbits off

In their defense, rabbits can be very polite diners. They take small, dainty bites, even when they are ripping a plant apart.

Like a dutiful, efficient, organized, first-things-first gardener (as I know you all are, too), I began to cut away the sticks to shape the bushes and make room for healthy new growth that had begun to sprout from below.

At least they ignored the camellias. Here the rain has pounded a bloom into the ground

Then I had an epiphany.  Had I been in some alcoholic haze? My diligent tidying was not deterring the raiders. Instead, it was inviting more rabbit raids. Come and get it, varmints, new bush opened up, easy pickins’, guaranteed no sticks, lots of tender new leaves on the plate, all in shiny bright neon.

Let me tell you, I sobered up fast. Now on high alert, driven by pure naked impulse, I designed high-tech azalea barricades using cut-down joepyeweed sticks, which just happened to be at hand.

I gambled on confusing the raiders by tucking broken stalks like spears into the stick bushes, which, by the way, were beginning to look pretty good, except that now they were even more sticky and would require more tending later in the season to remove the stick barricade that was now junking up the growing sticks. Do you think these barricades could ever be positive focal points?

And then suddenly the Gumpos turned green

Then again, maybe I had been too hasty. After I sprinkled “aromatic” Holly Tone on the azaleas to coax them along, the rabbits seemed to disappear. Spraying Liquid Fence would have been more sensible, but who was being sensible at this point. Next winter, I vowed, I’ll toss wads of pine straw among azalea branches and top them off with a garnish of Hollytone. Let’s see how you like pine straw in with your azalea leaves, you, you, you. . .rabbits!

Despite browsing, on the whole, azaleas weathered the winter with grace. Rabbits ignored the large-leaved southern indica and Rutherford hybrids even though they remained green all winter. May-blooming gumpos that the raiders missed were badly browned, but they have now pumped out new green leaves with energy that astonishes. Do I spot flower buds, too?

Kurume azalea ‘Coral Bells’, a reliably early bloomer, seen here in a protected corner, for the most part eluded rabbits and the deep freeze

Who has not lately complained about copious rain! (Which complaints will no doubt be replaced next summer with groans about terrible heat and extended “drought.”)

Have you noticed that the plants are not complaining? Ever opportunistic, they are sucking up a power drink of nutrients that would otherwise be locked in dry soil. And so we are being treated to a lovely, green world in April.

Here a southern indica ‘George Tabor’ shows a purple sport. Note the considerable new green growth

Possibly too green? This energetic growth is outstripping some of our azalea blooms, hiding them so the full “wow” effect of bright blossoms is subdued. Reminds me of why we gave up on Rhododendron catawbiense with its stunning lavender balls that cover walls of healthy shrubs in the cool-climate forests of western North Carolina.  Warm spring temperatures here confused their internal schedules and prompted plants to put out new leaves before the blooms arrived. That meant the “wow” effect was a dud.

Such a nitpicking curmudgeon you are! Can’t you just sit on a bench and enjoy the great wide World of Azaleas in April? Okay. Okay. I’ll set a spell.

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The Winter of Three Degrees Part I of III

Or, Exposure Exposure Exposure. . .And More

I can already hear our northern friends laughing. You can’t be wringing your hands over Three Degrees! Three posts devoted to a cold winter! You Southern Softies! Don’t expect us to feel sorry for you. Here in New England we are soldiers on the front lines of frigid.

All right, all right, give us some slack. We Zone 8A-ers expect, no deserve, mild winters, to make up for summer scorchers. It’s our God Given Southern Right to complain. Three degrees and wind, snow and rain are enough grist for days of garden gossip in our sheltered southern towns.

Days of sepia and lead, unless it was snowing. The beech will hold its leaves till spring

Full disclosure: At the risk of precipitating more gleeful chortles, the three degrees in discussion was recorded in our garden some time around what is traditionally the coldest part of the day, the wee hours before sunrise. The record was quickly wiped clean by sunshine on that day in February.

For a while we thought we’d dodged the bullet. Through it all, plants seemed — well — alive. Only we who were looking out the window were shivering with cabin fever.

They’re still looking pretty good in February, but another reality took over in March

In the past, our evergreens have remained perky during freezes. Smug and happy as a novice gardener, I used to think we’d won the frozen-in-time race. Imagine my disappointment when, as soon as the ice melted and the towel thrown off, my favorites would turn brown or go naked.

This year, no such thing happened. Ah hah, we (emphasis on “we”) are finally raising exceptionally strong, self-reliant plants.

We lived in la la land until early March. That was when plants stopped pretending and started dropping leaves.

Osmanthus fragrans dropped so many leaves we raked for days

We’ve often chafed at our native trees for being water hogs, nutrient hogs, and sun hogs. (Remember, trees always win in any tiff with shrubs.) Early spring, while we were mourning losses of some signature plants but relieved that the garden had survived, scattered reports of pervasive, withering, casualties dismayed us. Why the difference?

Would we ever want to lose our woods? For better or worse, no

Did those woods we maligned instead act as benign counterpane to protect our plants? Maybe it was time we thanked our perimeter of native trees for blocking winter sun and wind and moderating water in the soil and casting a crusty blanket of leaves over the landscape.

The Norfolk Botanical Garden is about 40 miles north as the crow flies, subject to the same weather, or worse, though the influence of city concrete probably gives them an edge. Much of their landscaping is under scattered pines and hardwoods.

Camellias, azaleas, evergreens, flowering shrubs and hydrangeas seemed to survive the winter with little incident. Yet camellias in area gardens were so affected the Virginia Camellia Society had to cancel their show and sale. Had the woodlands in the botanical garden cast a benign canopy over most of their plantings?

Exception: A bank of old, exposed azaleas at the Gardens were sparse of leaves and flowers. How come theirs looked better than ours?

Even so, plants that face east can suffer. Bright winter sun that breaks the cold of night gives no quarter to stunned plants. Buds can be blasted and leaves burned.

One winter, our native, buxom magnolia Virginiana facing full into an eastern sunrise turned into a skeleton. We spent a lot of time discussing the take-down of this once handsome tree-now-turned eyesore. Fortunately, as can be the wont with gardeners, our frenzied debate lapsed into idle chatter. It took a year, but the tree eventually recovered.

Our gumpo azaleas exposed to bright morning sun

But exposure isn’t all. Sometimes, despite our best intentions, a plant endures a series of insults. Shuffles and shifts that we barely notice may in fact weaken a plant’s reserves. Signs of distress can be subtle. How many times have I missed or misinterpreted clues, picking up on them only after the consequences became dire! Humbles ya, doesn’t it!

Causes? Unless they’re obvious, we can only back-figure. Here’s a possible list of insults I’ve come across (or inflicted) in thirty years of gardening.

Over zealous pruning at the wrong time
Fertilizing at the wrong time
Changes in drainage
Changes in sun or shade

Dry seasons.
Wet seasons.
Damaged roots — from wayward shovels, imperfect drainage
Plants still potbound despite appropriate teasing

Competition from other plants
Fall clean-up that leaves soil surface raw.
Vented air from a heating/ac unit.
Loss of a buddy.

I’ll never forget how a thriving native male American holly fretted for years after it lost its loblolly-pine neighbor. Finally it learned to cope with the double whammy of too much water at its roots and too much sun on its leaves.

Despite having its block knocked off by a tornado years ago, this tulip tree is a lusty grower, snatching resources from smaller plants

Old age can be a cause, but that is relative. Digs that are too rich can grow a plant to death. The opposite can kill a plant, too. Goldilocks conditions probably extend life, but who knows what they are in our individual gardens.

And then there is the X factor — X because we don’t know enough about what goes on under the ground or, for that matter, above the ground — that can influence survival or failure. However thoughtful we may be in figuring a plant’s needs — cracking the books, studying the site — it’s the doggonedest perplexingest puzzle, but a cosseted plant can languish, while another plant that gets short shrift survives.

How in the world did this seedling crabapple ever make it with no care and all that competition?

Sometimes it is just an old plant’s time. The plant is weary of hauling sap up and down its pipes, weary of sending out negative vibes to bugs, weary of accommodating the weather (though it may still put on a show of bloom). If you look, you can see the signs, especially in old, tall trees, but mostly we are not looking.

When you put it all together, plants are environmentally challenged pretty much all year, from winter freezes to summer’s dry heat, with brief respites in spring and fall. Though, on the whole, plants are probably more weather-resilient than we are.

Given half a chance plants come back year after year with treats for us and the birds — native blueberries and red cedar

Curiously, small new plants, the ones you hover over, expecting the worst, can survive insults happily. Last fall I set out stripling shrubs. What the rabbits did to them behind my back was downright criminal. Apparently there is no Hercule Poirot to ferret out garden malefactors, or, for that matter, foxes.

Unlabeled, down to nubbins, they became unrecognizable until healthy new growth in spring provided leaf-labels that refreshed my memory. Could it be that rabbits’ untutored pruning helps plants survive?

Gardener’s truism: Favorite Plants Fall First. Here are some examples from our garden. Caveat: Dead plants are not photogenic.

Camellia sasanqua ‘Yuletide’

Slow to establish, but a giant now with hundreds of blooms each year. After Hurricane Irene felled its buddy, a stunning crabapple in its prime, ‘Yuletide’ has been in full sun. Our attempts at air layering have been unsuccessful. Last year we shaped it, limbed it up to expose its handsome trunks and planted shade-lovers beneath. Any connections here? How does one reckon with an instant twelve-foot-wide void in the garden? Like all good gardeners, we’re procrastinating — in denial, and hoping.

Dancing with blooms

Just as lovely close-up

Lovely bones

Little green here except for Southern Indica azalea leaves, hellebore, and epimedium

Camellia sasanqua ‘Sho a no sakae’

Our very first camellia, the only camellia survivor of Hurricane Isabel, has been standing in a pool of water off and on for most of the past year and a half. It is fully exposed to the western summer sun but protected on the east. Last fall its bloom was spectacular. Today, half of it is dead and the only green growth we see is from a vagrant crossvine that could survive Noah’s flood.

It’s survived hurricanes and flooding where others failed, a real favorite of ours

Covered in blooms in November and December

Looking pretty good here. We celebrated our good luck in February. Too soon

A skeleton today

Dwarf Pittosporum

Tidy and dependable, an undulating three-foot-high river of green during hot summers, they were a shapely segue to our side garden, a floating grace note that we took for granted. Not today. Brittle limbs, crumbled and broken from snow load, have left dark dead patches punctuating (precious few) flowing mounds of foliage. When the plants bloomed, which was rare for us, we’d smell a heavenly scent before we’d find the small, creamy, tucked-in flowers. At its northern limit here, it’s been down before but has usually recovered in a year or so. Not so sure this year.

Mounded on either side, in the distance, leading us into the side garden

Mounds crushed under snow that lasted and lasted caused breakage of brittle limbs

Where do we go from here? Maybe the plants will tell us

Oleander

Another southern beauty at its northern limit that we grow as signature plants in our decked and protected courtyard. The catch: the deck covers a quagmire. After a heavy rain you can see water between the planks. Since the drowning of a wax myrtle to the east and the axing of an aggressive, uninvited water oak to the west, they are targets for winter and summer sun. Untidy, worn-out feather dusters now.

A view of the courtyard in May

And today

Viburnum tinus

Good, that one’s gone. Its lumpiness was a drag on garden real estate, and its pretty blooms turn to mush during spring freezes. (PS: It likes Mediterranean climates without the freezes.) I’ll replace it with a reliable azalea. Oh dear, now that the trunks are cut down and the blob is removed, I can see new growth at the base. Too much work to dig up; we’ll have to keep it whacked back if I’m to fit that azalea in. Sigh. . .more work down the road.

Viburnum tinus in bloom. Not my photo, mine never looked that good.Photo by Hope Grove Nurseries, UK. Bet they don’t get down to 3 degrees over there

The Lump yesterday, cut away today

Gardenias

Shabby spikes, whether growing in sun or shade they are today. All of them, including ‘Kleim’s hardy.’ which apparently isn’t all that hardy. They look as though they will probably come back, but they are not in any hurry to put out new growth. ‘Frost Proof,’ is the one exception, looking good and covered with budding flower buds, the best I’ve seen. Maybe ‘Frost Proof’ likes cold winters.

In better days

The worst looking gardenia happens to be at the front of the house, the healthy hedge is dwarf yaupon holly, the stringy hydrangea has filled out and has flower buds

‘Frost Proof’ came through the winter unphased, Florida anise, variegated Solomon’s seal, and fuschia azalea

Our ‘Pink Ruffles’ Azalea Hedge

Rutherford hybrids that we’ve nicknamed Bubble Gum Pink, they’ve been brightening our driveway for a long time. The nickname usually comes to mind first. They were originally planted among pines for high shade, while a neglected, tangled, but healthy mass of periwinkle and wild creepers took care of excess water below.

Like teeth, both the uppers and lowers were extracted, the former by hurricane, the latter by us after ground hornets took up residence. Then we blitzed-pruned them two summers ago. O boy! They’ve had a rough road.

A portion of the hedge about five years ago

Normally fully evergreen, blighted by eastern winter sun

Coming along far beyond expectations after this winter. Next year they may be a hedge!

See what I mean about Exposure Exposure Exposure . . . and More?

No time for fretting. Onward, to the pruners, to the loppers, to the axes, to the saws!

On the other hand, maybe we will wait and see. . .

Meanwhile, let’s enjoy spring. And what a spring it is! Brown twigs are no longer focal points. The green covers them, sorta. And spring colors distract us from remnants of winter dirge. Copious rainfall has egged on lush growth – maybe too exuberantly — and blooms. Even garden idlers that I annually threaten with extinction (with no follow-through) are coming round this year. Maybe three degrees wasn’t so bad after all.

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